SCAM #6: In The Streets Of Buenos Aires / $3.00 / 85g
“Was there really a “revolution” to be seen in the spray paint on Argentina’s walls? If so, what kind of revolution was it? What did the graffiti, angry political slogans and lyrical stencil images, have to say about where Argentina was heading now after four years of political and economic crisis? I sought out Buenos Aires’ stencil artists to find out.”
SCAM #7: The Return To Miami! / $3.00 / 85g
“When I tell people I’m from Miami, frequently they respond by saying, ‘I’ve been there once.’ If a shadow seems to cross their face for a second and they appear to be involuntarily remembering the worst thing things they’ve ever seen, I can usually correctly guess that they went down there to attend the protests against the Free Trade of the Americas Agreement (FTAA) in November of 2003 and experienced the brutal and violent police attacks on the protesters. Otherwise, it usually turns out that they went to the week-long glitzy orgy of art, money, and celebrity known as Art Basel Miami Beach. Either way, they will usually politely say, ‘But I’m sure it’s not always like that…'”
SCAM #9: Damaged – The Story Of Black Flag’s Classic First Album / $3.00 / 90g
Description from Erick Lyle himself: “Here at last is the long awaited new issue of SCAM, the story of the making of my favorite record ever, Black Flag’s classic first LP, Damaged. Based on an expanded version of a story I wrote for the LA Weekly last winter to celebrate the record’s 30th anniversary, the zine includes primary interviews with Black Flag members, Henry Rollins, Greg Ginn, Chuck Dukowski, Dez Cadena, Kira Roessler and others around the band, including Mike Watt, Joe Carducci, Raymond Pettibon, Ed Colver, and Dave Markey.”
Scoopin’ Times #2 / $1.00 / 30g
You might already know Alanna from Finale 95 and Puker Nation, well here is another rad zine from her weirdo mind. It’s all about working in an ice cream parlour! I love reading customer service stories anyway (hey, I’ve worked in convenience stores, call centres, and coffee shops, so I’m full of ‘em), and this one is basically a comic full of hilarious stories from work – like, the kinda messages that people have iced onto their cakes, quirky customer profiles, and a classic battle over which radio station will be played at work. Super fun times!
TEMPORARILY SOLD OUT
Self-Care For Zinesters / $2.00 / 10g
Description from Maranda’s Etsy: “In this zine, I write about self-care from the point-of-view of an introvert, weirdo, and decade-long zinester with depression, anxiety, BPD, & chronic pain. I travel quite a bit for zinefests & readings, so this zine focuses on how to take good care of yrself while on the road & at home, livin’ the zinester life (including For Zinesters on the Road, Taking Care of Ourselves & Each Other at Zinefests, Self-Care for the Zinester at Home, Advice for First-Time & Aspiring Zinesters and more). This zine is an expanded & updated version of an article I originally wrote for my blog. (There’s lots of new stuff! Don’t worry, I wouldn’t make you pay to read a blog entry pasted onto paper.) I write about telling your friends about your needs, my tiny pharmacy that I bring with me wherever I go, the importance of sleep & coffee, being realistic about what you can do in an unfamiliar city, journaling, patience, and gratitude. I also write about learning how to say no and setting boundaries in various zine-related situations, participating in workshops, and finding friends who support what you do. I feel like this zine could be useful not just for zinesters, but for writers, travelers, DIY & DIT artists, and anybody who wants to take their art on the road but has a lot of baggage (as opposed to luggage).”
Sex Industry Apologist #1 / $2.00 / 30g
You may know Nine from her other zine, If Destroyed Still True. And if you’ve read that, then you know that she worked at a project supporting sex workers. In this zine, Nine recounts various arguments that sex industry abolitionists have presented, either through public speaking panels or newspaper articles, and follows them up with her own arguments, which are backed up with both published studies, and her personal experiences – sometimes sarcastic, always informative. Just make sure you play by Nine’s Rule: “Whoso maketh reference to the film Pretty Woman automatically loseth the argument.”
Sex Industry Apologist #2 / $2.00 / 40g
Description to come.
TEMPORARILY SOLD OUT
Sinvergüenza #1 / $2.00 / 25g
“Struggling with real loneliness – like, the kind that fills you with anxiety and despair and an unreasonable fear that you will always feel that way – is a recent thing for me. I used to be very possessive about my alone time. I used to enjoy being able to do pretty much anything, with the exception of going to the movies, by myself… I used to like being at home by myself and working on stuff without having to worry about any distractions. But when you live by yourself, especially in the house where you grew up and used to live with two caring parents who are now very much deceased, you find that you have more alone time than you know what to do with.”
TEMPORARILY SOLD OUT
Sinvergüenza #2 / $2.00 / 30g
Pronounced something like ‘seem-bear-whence-a’, sinvergüenza is Castillian Spanish for ‘without shame’, or, as writer Jamie adds, “A derogatory term my Puerto Rican-born grandmother uses to describe any woman, especially a woman with children, who gets home after 10pm.” This issue continues on the trajectory that the first issue began – working through grief and loss, confronting things like shame, anxiety, internalized misogyny. It’s about friendship and self-care and family histories and going to punk shows. Like getting a long letter from a friend.
Six Ans De Pouce / $3.00 / 80g
Déscription à venir.
Skinned Heart #3 / $3.00 / 40g
I’ve read this zine several times, most recently at my kitchen table on an autumn evening, with a cup of tea by my side. It’s one of those zines that you can spend a lotta time mulling over, you know? There are a few main themes in this one – female friendships, jealousy / competition, open relationships, and being a person of colour in a predominantly white punk scene. Really thoughtful and honest writing, with a cut-and-paste layout. Total favourite.
Skinned Heart #4 / 40g / $3.00
In this issue, Nyky documents her moves from Texas to Arizona and most recently to Seattle, Washington, while also navigating the complicated effects of colonization – including feeling like an outsider to both Mexican culture and to radical-feminist-punk subculture. Other topics include learning to take care of herself in regards to chronic illness, dealing with the fallout of being involved in an abusive relationship, and learning how to communicate within an open relationship. “They [the author's family] had a lot and they lost a lot chasing the American dream. Slowly but surely we chased and assimilated to that American lifestyle in the Arizona desert looking for a life full of respect and status. This is where those cracks in my identity began, where there was a Mexican me and an assimilated me, where I began and learned to tolerate a life of duality.”
Skinned Heart #5 / $3.00 / 10g
In this issue of Skinned Heart, Nyky works her way through what she refers to as her current madness, which is coinciding with her Saturn return. She writes about feeling alone and unstable and learning how to work through anger and aggression. This particular issue feels very stream-of-conscious with a sense of urgency, and is peppered with both the vulnerability and the simple high-contrast collages that I’ve come to associate with this series.
Skinned Heart #6 / $3.00 / 30g
The cover of this issue was illustrated by Nyky’s father, and she begins by writing about her experiences with having a father who is incarcerated. She writes not only of the frustration, sadness, and fear that come out of this situation, but also critiques the prison industrial complex, the US’s “war on drugs,” and the way race and class figure into her father’s arrests and incarceration. She writes of the matriarchal family she was raised in, and witnessing reactions to women of colour’s expressions of anger – be it her mother confronting school employees when she was a child, or right now, her own anger when organizing with white feminists, for example. In Punkera Por Vida, she writes, “What I love most about being a punk is the access I have to other folks of color and gender marginalized people who are having the same experiences and finding creative outlets to live outside of the margins. I’ve met so many brujas, artists and musicians, writers, great thinkers and amazing inspirational people through punk.” She writes about calling white punks on their (our) racist bullshit – namely, white queers writing POC out of hard-femme culture – and also bringing her politics into her interactions with her family. She reminds readers, “Punk is not inherently white.”
Sour Puss #8 / Fergus #30 / $1.00 / 25g
This is a split zine on the theme of food; one half by Fergus, an omnivore, and the other half by Tee, a vegan who has medical issues that limit the sorts of food she’s able to consume. Each of them kept a food diary for a week, so what we get is an example of the kinda meals they typically eat, filled with stories of the day and memories around food. The side by Fergus sees her at the coffee shop at 6:30 every morning, musing on what it’s like to be a ‘regular’ – in that place where the barista fills your order before you’ve said it aloud, which can be lovely but also strips the writer of the anonymity she desires. She writes about airport food, her newfound interest in vegemite, having her home broken into, and a visit to the Melbourne Anarchist Bookfair. Tee writes a lot about childhood and teenage memories around food, the old fear of eating in front of people, and cooking meals for her family. She includes fun vegan recipes for all kindsa stuff, including burritos, basic scrambled tofu, pancakes, banana bread and more. She also recommends really excellent pizza topping combos, like pumpkin and spinach, and caramelized onion, mushroom and artichoke. Yum!
Spirits #1: Relationships With Alcohol & Drugs / $1.00 / 25g
Description to come.
Spirits #2: Relationships With Alcohol & Drugs / $2.00 / 30g
This is an excellent compilation zine that is not just about sobriety, like many of the zines that I distro, but about all different kinds of relationships with substances. Much of this writing goes above and beyond binary of sober/drunk (or high) and instead explores habits, harm reduction, self-care, emotions, histories, and even poetry. While one person answers the question, “How do you stay sober?” with their complicated feelings about AA, another person writes about struggling with their own issues of addiction and mental health while working in the Downtown East Side of Vancouver, noted as one of the poorest area codes in Canada, and yet another person writes about the privileges that come into play with their decision to remain sober having never struggled with their own addiction. One thing that I found quite helpful was a list that Spruce included with their piece on achieving altered states without the use of drugs or alcohol, including meditating, gardening, and getting tattooed. Some of my personal favourites are going to shows (loud music and/or moshing can help me kinda turn off my brain and forget about the day, which is what I often looked for with alcohol in the past), getting tattooed, and working out or going for a long bike ride. Here is an excerpt from the first piece in this zine which really resonated with me, a conversation between two friends:
“You talked about Time earlier. Any thoughts on how alcohol and time might work together… or against each other?”
“…what interests me more is what alcohol does to the decades – how do the decades respond to more or less constant drinking? (and constant to me means rhythmical, whether that’s a little everyday or hard twice a week.) Are there hangovers for those? – waking up, say, from the 2010s with the shivers and the Fear and the headache and diarrhea of a ten year long night, thinking: what did I do last night, where have the 90s gone – and with them, their sense of possibility? Let alone hook up with that person for a night, why did I date them for so long? And why did I insist on seeing possible joys in sure sadnesses – and stay so long in places where love was at best a pale imitation of itself, nothing (much) more than the perpetual repetition of its own end? Was that booze’s fault? I can’t tell. But surely alcohol’s particular capacity to facilitate the abolition of feeling, and to be rid of the perennial encumberment of memory – has at times caused me to dissolve and ignore emotions that otherwise might have been radars for the worst, radars rather than obstacles to overcome.”
Télégramme #24 / $3.00 / 20g
Version française de Telegram #24, traduit par Lou pour Mad Pride Montréal. Déscription à venir.
Telegram #28 / 20g / $3.00
Description from Maranda’s Etsy: “Telegram #28 is all about home, tour, writing, & magic. In this zine, I write about what it feels like to publish a book, my thoughts & feelings during book launches, reclaiming & embracing “crazy” and capital-C Crazy as an identity, the irksomeness of people (often, friends) choosing to use oppressive language like ‘crazy’, ‘insane’, ‘psychotic’, etc. inappropriately, happiness as a process rather than a goal, breaking down feelings of self-hate, going on my first tour with Mend My Dress Press (we traveled from Seattle – Los Angeles), Witchy Punx Club & psychics & Tarot cards, my hatred of landlords and my need for a stable home, and my reasons for leaving Guelph.”
TEMPORARILY SOLD OUT
Telegram #29 / $3.00 / 15g
Description from Maranda’s Etsy: “This is the story of how I began to write my first novel, and my self-publishing process. My goal with this issue of Telegram is to help demystify the process of novel-writing & self-publishing, encourage weirdo writers, and answer the questions a lot of friends have been asking me.
When I started writing Ragdoll House, my queer young adult novel, I was struggling with alcoholism & loneliness, feeling pathetic & unloved, and trapped in my small hometown. In one of my many attempts to quit drinking, I set aside my usual drinking hours/days for writing instead. In Telegram 29, I write about how my Crazy (the word I am embracing for my lifelong mental health issues) inspired & influenced & interfered with my creativity; it’s all about writing for survival.
This zine documents the many changes in my life during the novel-writing process (moving six times, hospitalized countless times, coming out as genderqueer, developing a chronic pain condition, getting sober, etc…), growing up in & continuing to live in poverty and how that affects how I choose to write & share, some feelings about class & access to technology, dealing with the complications of jealousy (both feeling jealous of others and folks feeling jealous of me) and how making books has changed my friendships… I write about support and $upport, self-absorption vs. self-awareness, and my weird feelz about reading reviews.
One of the most important parts of this zine, for me, is sharing my feelings about putting yet another story about cis people into the world, and how I’m dealing with those feelings as a genderqueer / trans* writer (with a tiny note about my next novel, which is indeed a genderqueer story rather than a girl story). Oh, and I open up the awkward conversation about numbers & money, how much I paid to self-publish my novel, and how much I get paid each time you buy a book (spoiler alert: not much). (This is not a zine about How to Make A Living As A Writer, because I’m not.)” Cover illustrated by Clara Bee.
TEMPORARILY SOLD OUT
Telegram #30 / $3.00 / 15g
Description from Maranda’s Etsy: “This issue of Telegram is about tangibility and missing pieces, the disappearance of my belongings and my words, and summertime in Seattle. I flew to Seattle in July 2013 to see Courtney Love live, visit Kurt & Courtney’s old house and the Viretta Park memorial bench, etc., and while I was there, my backpack, which contained my diary, passport, & psych meds, among other things, was stolen. I was 27 & lookin’ for reasons to keep on livin’.
Telegram #30 also includes stories of how nostalgia is different when you have PTSD, trauma and growing up in poverty, unfun criticisms of middle-class white cis feminists & riot grrrl, found magical objects, Weirdo Parlour, crying in public, petals, vulnerability, illnesses, questions, boundaries, allyship as process and not identity, carrying experiences in my pockets… (& love letters to Patti Smith, Amanda Palmer, Courtney Love, & Kurt Cobain.)”
Telegram #31 / $3.00 / 15g
Description from Maranda’s Etsy: “Telegram #31 is all about broke-femme identity, shoplifting, self-care & magic & ritual, finding meaning in chronic pain & illnesses, glam rock & how it influenced my genderqueerdo expression, doing weird art for money, typewriter-busking, stuff about my body, & WINTER SURVIVAL! Personal as fuck. Quarter-sized, 24 pages, text-heavy, 6,000+ words.”
Todo Sobre Mi Madre / $2.00 / 20g
The Spanish title translates to All About My Mother. This is a really sweet cut-and-paste zine wherein Rachel tells the story of her mother’s life via anecdotes, photos, and excerpts from letters. “The first time my mother saw snow was her first year in college. She said the snowflakes were so big they looked like moths falling from the sky.”
Tongueswell #1 / $2.00 / 15g
“All names but mine have been changed; all French is rusty but passable.” So begins the first issue of Tongueswell, a perzine about death, terminal illness, family, and queer stuff. Ever since Jen was a kid, she knew about her uncle who had “died of cancer”. His life and death were entirely shrouded in mystery, until her mother decided she was old enough to know that he was gay, that he’d lived in San Francisco and died from AIDS-related complications. Jen was in love with another girl at the time, a secret she’d kept from her family. She felt an affinity with her uncle, which grew the more she learned about him, the more she learned about queer struggles. Aussi, il y a quelques pages écrites en français – l’histoire de sa grande tante Lisette, qui est née en France et a vécu en Floride. Les deux ont s’écrit des lettres pendant des années, une tradition que Jen aimerait continuer avec ses ami.e.s. This is a zine that comes straight from the heart.
Tongueswell #2 / $2.00 / 20g
In the intro, Jen says, “This issue is about a few of my relationships: to my body, to others, and to myself.” She runs with three main themes and weaves them together into a tale that begins with growing up fat, thus being mistreated by doctors, and brings us into the present, with ever-changing relationships, anxiety, and a long-distance move. This is an entirely engaging read, and I’ll say that I was most into reading about her history with food and family (this is something I always want to read about, as someone who was raised by a broke single parent, so ate a lot of boxed, frozen, and fast foods), and found her outline of emotionally manipulative behaviour to be useful – again, as someone who’s been prey to emotionally manipulative people. Plus, there are some good OkCupid stories.
TEMPORARILY SOLD OUT
The Triumph Of Our Tired Eyes #1 / $1.00 / 10g
This is the zine that I completed as artist-in-residence at the Roberts Street Social Centre in Halifax, Nova Scotia. It’s a quarter-size perzine, mostly typewritten, with a few handwritten phrases and sparse cut-and-paste details. I’ve written about accepting loneliness as an inevitability and staying sober in a world that seems to want me drunk or dead. Excerpt: “The heaviness on my chest, the fluttering in my tummy… they are always going to be there. It is time to stop searching for the remedy and to finally accept them as a part of me. I want to embrace my sadness without letting it keep me in bed for days on end. And if my anxiety keeps me locked in my apartment, I’d like to invite someone else over.”
SOLD OUT but you can get copies from Stranger Danger and Bus Stop Press.
Cheaptoys #10 / The Triumph Of Our Tired Eyes #2 / $2.00 / 30g
Giz and I made a split zine! In the second issue of The Triumph Of Our Tired Eyes, I’ve written about hitchhiking from Montréal to Halifax and the three weeks that I spent on Canada’s East Coast during the summer. Almost entirely handwritten (I have really neat printing, I swear) with simple illustrations throughout. If you ever wondered what a zine residency looks like, this is it. I stayed in the shed at the Roberts Street Social Centre for two weeks, then spent a few days in Sackville, New Brunswick for Sappyfest. Read along as I work through my syndrome de la page blanche and punch a dude in the face. I’d call Cheaptoys something of a punk-perzine, always full of tour stories and photos from various travels and shows. Giz begins by writing of his experiences in the suburbs of Monaco and Paris, and his desire to leave France for library school. Also documented are his adventures from presenting at an academic conference in Utrecht, Netherlands, to playing Plan-It-X Fest in Bloomington, Indiana (up the scholar punx!), plus an interview with an anonymous graffiti artist, and more. Il faut remarquer que ce split-zine est écrit en français-anglais, un mélange de langues comme on s’écrit dans nos lettres. (It should be noted that this zine is written in a mixture of French and English, just like we write to each other in letters).
TEMPORARILY SOLD OUT
The Triumph Of Our Tired Eyes #3 / $2.00 / 40g
I keep telling people that this is a zine about soda and karaoke, which is actually code for sobriety and learning how to build self-confidence. What began as a zine about my love of karaoke has turned into something more. In the summer of 2013, I went on tour with Bad Hex and Xtramedium, carting my distro along in a shoebox and doing zine readings at house shows, infoshops, and the occasional bar. I kept a tour diary and documented our way through the Pacific Northwest, the desert, the West Coast and back again. Included is writing on taking space from dudes at punk shows, fighting depression and self-hate, visiting Viretta Park at twenty-seven years old (next door to the last house that Kurt Cobain lived in), feminist boredom, how I built my self-confidence, and how road games turned the summer into a soda tour – I tasted 140 different kinds of soda! If you wanna talk about root beer, I’m your girl. 62 pages, mostly typewritten with some cut-and-paste details; a lovely piece by Kit (of Pinch Kid) on karaoke, friendship, and mental health; and a cover illustration by Giz (of Cheaptoys). Read a review here.
Truckface #14 / $2.00 / 55g
Truckface is one of those impossibly thick zines where you could read it for days on end, just waiting for the staples to burst right out. If you’re not familiar with the series, LB is a teacher at a public school and mostly focuses on writing about this job. This is the year that LB gets a little more comfortable at work after an awful year, shares Maus with her high school students, helps them create activist campaigns for various issues, deals with the aftermath of a drive-by shooting outside of the school, and more. Text-heavy with illustrations throughout.
Truckface #15 / $2.00 / 55g
Another great read from LB. “This is my life as an androgynous public high school English teacher… I generally love my students. I love my city… All of this was written over a very busy summer vacation and fall weekends. Grammar is still an issue. I am not perfect; I am kind of an asshole. Every day I ride the train to work and right before we hit the underground tunnel at Division, I read the same fading graffiti on a building for sale. It says, ‘Forgive yourself.’ I read this line every morning, shoulders bumping into business suits, balancing coffee mug, bag of papers to be graded and a computer on my back. With the sun noticeably absent or barely present, I made sure to look for that piece of graffiti every morning.”
TEMPORARILY SOLD OUT
Truckface #16 / $3.00 / 55g
I’ve been reading this zine for years and years and always look forward to the latest issue – I was anticipating this one even more than usual though because I knew that, as an educator, LB would write about the Chicago teachers’ strike. Marching in the streets and trying to remain hopeful in the face of government fuckery and verbal abuse from passersby while out on the picket line. But ooohhhh there is this really sweet moment when a student makes a “fear this queer” button and it just totally warmed my heart. This is a super thick zine that makes for a great read.
Us Amazonians: a Kirsty MacColl fanzine / $3.00 / 25g
It seems Kirsty MacColl is best known for her backup singing alongside the Smiths, and her duet Fairytale of New York with The Pogues, and this is certainly how I first heard her name. But she also released five full-length albums before her untimely death in 2000, and with this fanzine, Milo (whom you may know from Rumpy Pumpy, Bananarchy Now! and the Queer Zine Archive Project) and pals are here to tell us about her fantastic music, her history with camp, and her simple kindheartedness – this is best illustrated in a piece by fan Tony Reay, with whom she shared demo tapes and began a correspondence. Musically, I’d say she has something of a dreamy-wistful 1980s sound combined with 1960s girl group pop sensibilities. I’m listening to her first album, Desperate Character, as I write this. This is a zine that might appeal to music nerds and Kirsty MacColl newcomers alike, and I felt most drawn to Chris Wilde’s reviews of favourite songs, from 1979’s They Don’t Know to 2000’s Us Amazonians, with sexuality being a recurring theme. Such a great read!
Vanity Zine / $2.00 / 35g
This zine was compiled by my housemate and sweetest pal Timmy, and is all about vanity, specifically within queer and punk circles. Often, we tell ourselves that we are somehow above vanity – we reject cultural norms, say by refusing to shave or to wear makeup, thus creating a new norm of what it means to be / look like a punk, and this norm can be inherently transmisogynist and femmephobic, as well as racist, classist, etc. So, this zine contains stories from eight people of varying identities about their own vanity, about navigating mainstream cultural beauty standards as well as punk standards (let’s face it, the norm of ‘punk’ equating thin, white, masculine, and dressed in black is a real thing). These stories are told mostly in the form of personal prose, but also in poetry, comics, collages, and several photos. For me, this is a zine that both affirmed some of my own feelings on fashion / beauty / appearances, and also challenged some assumptions that I’ve made in the past. Highly recommended.
What To Keep, What To Give Away #1 / $1.00 / 20g
This is the zine that Khristina worked on during her stay here at the Tulip Farm for the Fight Boredom Zine Residency. It’s an intensely personal document of recent relationships in her life, and how they’ve been affected by patriarchy, white supremacy, and other dynamics of power and privilege. Basically, she decided to remain celibate for a period of time and examine these relationships. The writing here comes from personal accounts of her sexual history, as well as knowledge drawn from essays by Audre Lorde and bell hooks. This is the sorta zine I would classify under the heading “radical vulnerability”.
Your Body Is…: Reflections on Supporting People with Internalized Fatphobia / $2.00 / 30g
I’ve been reading a lot of really excellent compilation zines recently, and I appreciate the hard work that goes into putting them together. This one was given to me right on time for the 2014 Montréal Anarchist Bookfair and is a collection of writing and art about internalized fatphobia and disordered eating (with a note that indeed the term ‘disordered eating’ can be problematic as it still pathologizes people and upholds ‘health’ discourse). Aside from the preface and a list of working definitions, this zine features nine pieces on the subject. Writers tell of their own struggles with accepting (or not) their bodies, and write about how their self-perception is affected by racism, ableism, sexism, etc. I’m going to let this excerpt from the intro to speak for itself:
“Bodies and weight seem to be two of those (many) things that almost everyone in this society seems to think about, but about which we are given very few tools to know how to talk about or address. Living in a world saturated by western capitalism and hetero-patriarchy conditions so many people to dislike, resent, even hate the skin they are in, the way their body is shaped and moves in this world. And our communities are trying to respond; we’ve come up with campaigns and supportive messages which try to remind our friends, lovers, even ourselves, that “our bodies are beautiful, and it is just society that is fucked up.” True. Every body is beautiful just the way that it is, and any person, advertisement, product, beauty or relationship standard, prescription pill, weight loss program, exercise machine, doctor, dietician, government sponsored address, mental or physical diagnosis, etc., that says otherwise is just a part of this fucked up construction of beauty that privileges certain types of skinniness and Otherizes and dismisses anything else.
But, yet, over the years, I have had many people close to me struggle with their body weight and image, with their eating and with their lack thereof. I have too.”
Your Secretary #10 / Dig Deep #3 / $2.00 / 30g
A split zine by two of my favourite zinesters! Heather and Jami each write about being librarians, but have very unique voices. Jami can offer deadpan sarcasm and bittersweet tales where Heather writes lighthearted amusing anecdotes and heartfelt tales and lists. Both sides have moments that can be laugh-out-loud funny, charming… or anger-inducing (the things dudes do in libraries!). Heather writes about libraries as a safe space, creating a zine collection, and working with teens. Jami writes about leaving Detroit, working in a zoo library, and teaching people how to use the internet. She also shares tidbits about all the libraries she’s known. This is a really sweet and fun read.
Zine Crush #1 / $1.00 / 40g
Description to come.
Zine Crush #2 / $1.00 / 40g
Confessions of like. This zine is compiled anonymously in Portland, Oregon and contains fourteen stories of zine crushes – from a lonely cat waiting to dive into a box of zines, to best friendship, to the inevitable missed connections at zinefests – and my very first comic! I contributed a piece about two zine crushes and a postal scam. This is a pretty endearing read, and the creation of this zine has helped me to acknowledge my crushes and be less afraid of making myself vulnerable. Win win!
Zine Crush #3 / $1.00 / 40g
Description to come.